In alluding to the coenesthesia we came very near to giving an account of emotion as an ingredient of consciousness. Stimulating situations give rise to widespread ordered repercussions throughout the body, felt as clearly marked colourings of consciousness. Plagiarism free paper can be bought here by educated paper writers. These patterns in organic response are fear, grief, joy, anger and the other emotional states. They arise for the most part when permanent or periodical tendencies of the in... Read More

The evil results, as Ribot remarks, are largely confined to those individuals in whom the quest for pleasure has the force of an obsession. But on the view of pleasure, which we have indicated above, it is clear that all those doctrines, very common in critical literature, which set up pleasure as the goal of activity, are mistaken. Every activity has its own specific goal. Pleasure very probably ensues in most cases when this goal is reached, but that is a different matter. To read a poem for t... Read More

It has been much disputed whether pleasure-unpleasure is a quality of general bodily or organic consciousness, of some part of it perhaps, or whether it is something quite different from any quality of any sensation or set of sensations. As we have seen, it is not a quality of an auditory sensation in the sense in which its loudness, for instance, is a quality. There seem to be similar objections to making it a quality of any sensation of any kind. A sensation is what an impulse at a certain sta... Read More

To speak of the intrinsic pleasure-unpleasure of a sensation is perhaps misleading. The pleasantness of a sensation as we know is a highly variable thing. It may alter completely while the strictly sensory characteristics of the sensation remain as before. The difference in the same smell of liquor, before and after an alcoholic excess is a striking example. A sound which is pleasant for a while may become very unpleasant if it continues and does not lapse from consciousness. Take advantage of c... Read More

Sensation, imagery, feeling, emotion, together with pleasure, unpleasure and pain are names for the conscious characteristics of impulses. How they may best be sorted out is a problem whose difficulty is much aggravated by the shortcomings of language at this point. We speak, for instance, of pleasures and pains in the same fashion, as though they were of the same order, but, strictly, although pains as single self-sufficing modifications of consciousness are easily enough obtainable, pleasures... Read More